Those lovable scamps Tom and Harvey were in mischievous mood. Corralled up inside their Sound Desk enclosure with the doors shut, they are at times overwhelmed with a sense of
power.It looks a bit like the Flight Deck of the Starship Enterprise
in there). Harvey loves the Smoke machine dearly and until restrained he likes to have the stage set looking like a World War One battlefield. As artistes peered through the fug desperately trying to see the
audience it took the more sensible input of ex-NFC Sound Man
Dave Smart to convince them to turn the air conditioning off and
introduce a bit of warmth into proceedings instead. (Young Folk eh?
They just don't feel the cold!) Bless 'em, they coped admirably with a
failure of the lighting rig during the second half. (This got one of
the biggest cheers of the night). Most importantly of all they kept
the ship sailing.
With a bigger than usual crowd in it was
Santa's Law that some things would go wrong anyway. For instance, it's rare
that John Kearney breaks a string during performance, but Paul
Moore's look of horror during a number in Nunc's set as John left him
solo, deprived of his metronomic rhythm guitar was a picture.Here is John just before the momentous event.
Paper Circus and Nunc shared the
guests spots. We had agreed mutually months ago that any proceeds
from the evening would be divided amongst local charities,and so
instead of Nunc doing their usual opening sequence I opened up
proceedings with some shambolic Open Mike.( Comedy is probably a
little strong-although some members of the audience were
laughing,more at me than with me) After singing Happy Birthday to Kath Peretti we (I) sang a few tastelessly amended Christmas songs
to the backing of tumbleweed drifting down a deserted Mid West street.
Extracts then followed from my
infamous “Answers To The Christmas Quiz” and “Christmas
Announcements.” They too went down like a blowlamp in an
Ice Palace (which the room resembled at that time). The
proceedings were at least lent had some class and dignity by my able
accompanist and Straight Woman,Sue Sanders, (see above) who added tasteful
festive fill-ins between lines,whilst old jokes lay gasping for
breath on the proscenium. Sue continued to play from her seat down in the auditorium and here's the proof.
Rumours of a a Polar bear being spotted climbing the stairs proved to be false,as Pete McParland took to the stage to kick the floor spots off. He decided to get into the Festive mood by singing a song about how often it does (or doesn't ) rain in California. Perhaps he was trying to stop the sound of teeth chattering? Pete is Old School. He is a regular at many local venues,has a nice voice and plays good guitar, I've shared a mike with him at The Anker and The Coniston whilst jamming Blues and Pop Covers. He is the consummate professional and he will have no truck with that modern habit of having your words in front of you malarkey.
Rumours of a a Polar bear being spotted climbing the stairs proved to be false,as Pete McParland took to the stage to kick the floor spots off. He decided to get into the Festive mood by singing a song about how often it does (or doesn't ) rain in California. Perhaps he was trying to stop the sound of teeth chattering? Pete is Old School. He is a regular at many local venues,has a nice voice and plays good guitar, I've shared a mike with him at The Anker and The Coniston whilst jamming Blues and Pop Covers. He is the consummate professional and he will have no truck with that modern habit of having your words in front of you malarkey.
Which was great until he came unstuck
during Peter Sardstedt's Epic "Where Do You Go To My Lovely?". A song
I've heard him do without error many times before. Pete's confidence began to ebb a little though as he forgot the words,but Paul Moore,aided by an
online karaoke page stepped up to feed him the prompts. Comedy Gold.
Even without the usual jokes about Pete putting his cycle clips on
and pedalling over to Ridge Lane to catch the second half of Open Mic
there, .It brought the house down. (For the sake of accuracy,Peter
stayed all night.He always does at NFC!). We lock the doors so he
can't escape.
Finger In The Jar, Atherstone Folk
Club's Resident trio followed Pete. Steve and Anne Beeson with Phil
Benson. As you can see Phil was one of several present to be getting in the mood by
wearing a colourful Christmas shirt.
He also had a very large drum
which he proceeded to pound as FITJ sang a version of “Over The
Hills and Far Away.” I was enjoying their work so much that I
almost waved them back on to do a fourth before realising that they
had already finished their spot. They just finished “You Ain't
Going Nowhere” so the gesture was rather apt.
Des
Patalong is an NFC and Anker Folk regular. Either solo or with the
Thrup'nny Bits, he's become a bit of a fixture,what with that mighty
beard, his special sunglasses, that thunderous voice and his Uncle
Bulgaria hat. . His “Neo-Liberal” song touched a nerve with many
and his intro to “The Wren” was longer than the actual
song. Well worth the wait though as this alternative version of an
old carol is one of his party pieces. Very similar to Steeleye Span's
lesser known Christmas song “Pleased to See The King,” it
is really atmospheric. You can hear more of Des and the TB's on the
Anker Folk Christmas shows.
Talking of Old Birds, Malc and Gill
were on next. Gill Gilsenan commenced by dismantling various music
stands until she found one which matched her own height. This took a
while. Even she admitted it was “like watching origami” as she
wrestled with, or folded and unfolded various structures until the
satisfactory elevation was attained. Having then bemoaned the fact
that there was no Road Crew there to help her,and commented on the
ambiance of the room temperature, Malc stood alongside patiently
until the music began. Gill on form is the Janis Joplin of Folk,the
Amy Winehouse of Open Mic. It was hard to believe she was only
drinking water as she let fly some quality heckling from the stage
and the audience responded spiritedly.They climaxed (if that is the
right word) with a rendition of the Yorkshire Carol “Sweet
Chiming Bells” It really got the crowd singing.
Paper Circus were as classy as ever. Jennian's pure voice,Jim's cello and the tasteful
guitar work of Suraj, is a lovely sound. It is easy to slip
into thinking that The Circus are all about Jennian's flawless pitch
and tone,but it is actually the combination of all three
instruments that makes them unique. Kind of them to acknowledge that their debut in the heady world of Folk,nay their introduction to Folk Clubs was at via NFC after we'd gigged with them at Twisted Barrel Open Mic. One could be excused for
thinking that the purring from the side of the stage was the heating
kicking in but it was just Dave Smart. He really loves
Paper Circus. We all do. You can catch them locally at Willow and
Tool's Music Parlour and at Atherstone Folk Club early in the New
Year.I chose this photo because it is the only once I've spotted where Jim can be seen. he was having a few problems with his sheet music. I blame the stand.
So
then we had a break and after a momentous raffle ,giving away towers of chocolates, biscuits and wine donated by NFC devotees, Nunc took over to
complete the evening. The usual procession of Americana followed.
Jennian likes to joke about having "only one song not about dead girls," when introducing the Paper Circus repertoire and the Nunc Body Count is also quite high. It rose proportionally as songs about broken relationships,persecuting
the homeless, campus massacres,and substance abuse followed.
Paul
took us a bit more upbeat with his solo rendition of “Sitting
On Top of The World” Flossy did her usual virtuoso stuff with
“Guilty” and “Angel From Montgomery” Paul's
Nemesis “Weather with You” actually went rather well. John
Kearney woke up those audience members who had dropped off to sleep
with his shouting in “Copperhead Road.” It even briefly
made the few Old Folkies who had been on their mobile phones all
night look up briefly. We finished with “Knocking on
Heaven's Door” and our Bob Marley/Wild Rover segue which saw
(and heard) the audience roaring out the choruses beautifully. They
took a solo verse in each,unaccompanied:a fitting end.
Besides those performing it was great
to see other local Folk and Roots Giants in the audience and
supporting “live” music just by being there. Andy Jones,Ian
Bourne,Jak Lynch,Max Wright,Wes Hall,Mick Stanley and lots of others.
And although it was sad not to have John B. Smith there, Ray
Buckler,Sue Sanders,Max,JK and many others supplied some excellent
photos, as you can see here and on the NFC Facebook page where there are many more.
Next Wednesday it's Bedworth Folk Club's turn at The Newdigate Club. Belzebub will be hosting the BFC Christmas Party. Atherstone Folk Club's last even of the year is at The Rose,Baxterley,on 19th December with guests The
Red Hills featuring Maria Barham. (She'll hate me for billing it like
that!). You can see several of last night's guests back in
Town on Tuesday next at The Coniston in Nuneaton. Hosted by Dragonhead,it's a
fun night with lots of singing and contributions from Steve and
Anne,Pete McParland Paul Moore and many others. Give this venue a
whirl:it's a good Craic and like all this music we put on for you
it's FREE!
Nunc are at The Nursery Tavern Coventry on Solstice Night (21st December).There's a VERY Christmassy feel also to Anker Folk's Christmas Eve programme on Anker Radio. Then we all want some Figgy Pudding for a while I guess.
Nunc are at The Nursery Tavern Coventry on Solstice Night (21st December).There's a VERY Christmassy feel also to Anker Folk's Christmas Eve programme on Anker Radio. Then we all want some Figgy Pudding for a while I guess.