Saturday, 30 March 2019

All In Good Time by Dave Taylor


              Whilst appearing alongside his charming wife,Julia, Dave Taylor's public performances are relatively restrained. The Leicestershire duo do some nice harmonies together, they cover some lovely ballads very sensitively and do some of their own material. Off the leash and solo, Dave's kindly appearance is shed. He belies that calm exterior revealing a vicious tongue,a gift for mimicry,a fine-tuned ear for parody and a real understanding of how to employ irony in songwriting.
         “All In Good Time,” is the latest of several solo issues by Dave.He describes it as “fourteen tracks over quite a spectrum of serious and frivolous.” And he's not joking (although more often than not he is). He actually uses the word “tacks” rather than “tracks” here....leaving you wondering.. Is that a typo or a pun? You never really know with Dave.
The CD is worth having just for the immortal “Leonard Cohen's Shantymen” alone. A work of pure genius which has got many a large Folk Club audience cackling and struggling to join in with the choruses simply because they could not stop laughing. I've not yet seen a live audience who weren't tickled by this. Trust me. It's brilliant.
          But there's more. When Dave's laying into the objects of his considerable ire,he's at his best. Lyrics written in ink refined from pure acid flow from his quill pen. Words, delivery and production on this album combine to emphasise the satire. Alone,Dave pulls no punches. Rather he swings haymakers at the objects of his wrath. He sprinkles his songs with expletives and examples of Anglo Saxon vernacular. His songs are by turns angry,waspish and at times almost cruel in their imagery. ( A man after my own heart). But they are always funny. A sort of folk version of Sleaford Mods,in “Greedy Bastards All” he epitomises this attack: via a really cross condemnation of Privilege.It matches in vehemence anything Billy Bragg or Dick Gaughan has ever angrily spat out into an auditorium.
          “Blue-Arsed Fly” takes a tilt at Health and Safety whilst “ White Boots” is another classic about Talent Show Wannabees. It is delivered in a mocking vocal style somewhere between Benny Hill John Otway and Charlie Drake A three minute assassination of the cry babies and the tone deaf who employ sob stories to win votes when lack of musical ability cannot gather any. If only our hero had worn his white boots for the audition...the rest might have been history.
         “There's an Alien Taken Over My Brain” celebrates Insomnia whilst “Range Rover” is in Dave's sleeve notes,“for those whose definition of “off-roading is parking on the pavement.”
It's not all a bundle of laughs. “Haunted” is a protest about childrens' role in warfare and “ Harbour Lights,” is an affectionate homage to Weymouth. And Dave is capable of writing heavier songs. “Glow Worm” is no laughing matter:It has nothing in it to smile about. A long ballad, half sung,half spoken it is a Magnum Opus about an epic confrontation between a Royal Navy Destroyer and a German Battlecruiser. off the Norwegian coast in 1940. At over nine minutes long it emphasise what he can do with well-researched material when he's being serious. Dave is also a very good guitarist. (Did I mention that?) He also plays mandola,theremin(I think I take those for high blood pressure) accordion and bass.
         But it's not long before he's sharpened his plectrum and got his kicking boots out again with “Eighties Song,” you can guess what he's on about here. Backed by swirling synths ,beeping moogs and God knows what,Dave lays into Eighties Pop Music. With the fence-sitting anguished refrain of “How Long Can This Turgid Crap Go On?” he's not really a fan..
          Elsewhere,in “Rose Scented Glasses,” there is more clever wordplay. Dave laments our “high expectorations” and mercilessly pans the fifty years or so of Hurt exemplified by the underachieving England Football Team. With more tonsil bending enunciation,Dave weighs into them all. The players. The pundits. The press. The Referees. The opponents. No-one is safe. It makes Green Street look like a picnic.
        No matter how you interpretate it 
          you can't make sense
        of the total demolishment our defence,”
-the anonymous observer laments,adding bitterly:
         “The World will be our Lobster 
       we'll still get taken to the cleaners
         or go out on penalties 
           to Spain or Argentina."
So..There's now a new England Song. Eat your hearts out Baddiel and Skinner.